Archive for the ‘Photography’ Category

Olympus OM-2n and H.Zuiko Auto-W 2.8/24mm on Crete

Wednesday, June 12th, 2019

As told in one of my pre­vi­ous posts, I was on a trip to Crete and this time an old Olym­pus OM-2n came with me. I decided to pick my Olym­pus H.Zuiko Auto-W 2.8/24mm lens and loaded an Agfa Vista 200 film. The film is on its way to the lab and I’m keen get­ting it back soon. Until then, here is a first impres­sion … show­ing the hard life as a hiker.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Olympus OM-2n with H.Zuiko Auto-W 2.8/24mm

Friday, May 24th, 2019

Just leav­ing for a trip to Crete. Hav­ing the good old Olym­pus OM-2n with its H.Zuiko Auto-W 2.8/24mm lens with me. The OM-2n has recently been for a CLA at the OM-Labor in Frank­furt, Ger­many. The 24mm lens has a nice repu­ta­tion and I’m keen to see how this combo fits. The cam­era will be loaded with Agfa Vista 200 col­or film.

Besides that, I’m car­ry­ing with me my work­horse — the Olym­pus OM-D E-M1 with its mar­vel­lous M.Zuiko 2.8/12–40mm lens and — as a light­weight addi­tion, the Ricoh GR II.

When I’m back from the trip I’ll have a short report in my tiny blog and put some images on my flickr page.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Hiking the Haselstein and the Center of Central Europe

Tuesday, May 14th, 2019

On this hike I car­ried with me three cam­er­as — maybe I should stay at one per hike only, as weight is always an issue.

The film one was a Con­tax G2 with its Carl Zeiss Biogon 2.8/28mm attached. I loaded a Kodak Ultramax 400. After the second image the cam­era stopped work­ing due to an empty bat­tery. As I had no spare on hand, all the rest was made digit­al only.

The first digit­al one was a Sony A7R2 with a M39 Voigtländer Col­or-Heli­ar 2.5/75mm attached where I loaded again … a pretty cool sensor 😉

The second digit­al one was the beloved Ricoh GR II.

The full album can be seen here on my flickr pages. I made a col­or ver­sion and a black & white ver­sion again.

Images above were made with the Con­tax G2, Carl Zeiss Biogon 2.8/28mm on Kodak Ultramax 400.

Images above were made with the Sony A7R2, Voigtländer Col­or-Heli­ar 2.5/75mm.

Images above were made with the Ricoh GR II.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Hiking the Waldnaabtal

Saturday, March 30th, 2019

On this hike I used two cam­er­as. The film one was a Con­tax G2 with its Carl Zeiss Biogon 2.8/28mm attached. I loaded a Kodak Ultramax 400. The digit­al one was a Sony A7R2 with a M39 Voigtländer Col­or-Heli­ar 2.5/75mm attached. I loaded … a pretty cool sensor 😉

The full album can be seen here on my flickr pages. I made a col­or ver­sion and a black & white ver­sion again.

The Con­tax G2 is a gem … I men­tioned it already in anoth­er post about its sib­ling, the Con­tax G1. Regard­ing the lens … I’m impressed by the sharp­ness.

All images above were made with the Con­tax G2, Carl Zeiss Biogon 2.8/28mm on Kodak Ultramax 400.

The Sony A7R2 … is simply a cool tool which I mainly use with vin­tage glass. The manu­al M39 Voigtländer Col­or-Heli­ar 2.5/75mm is so easy to handle with the focus peak­ing, it’s light­weight, small and deliv­ers a won­der­ful sharp­ness.

All images above were made with the Sony A7R2, Voigtländer Col­or-Heli­ar 2.5/75mm.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

Frankfurt in January

Tuesday, February 19th, 2019

It was cold in Janu­ary, but this did not stop us from walk­ing through this beau­ti­ful city with so many nice places and inspir­ing per­spect­ives … depend­ing on where you go and what you (want to) see.

This time I used two digit­al cam­er­as. Num­ber one was a Ricoh GR II with its mar­velous 2.8/28mm lens. Num­ber two was my work­horse, an Olym­pus OM-D E-M1, this time with a M.Zuiko 2.8/7–14 mm lens, which gives a nice width and which is part of the holy trin­ity — the m.zuiko 2.8/7–14 mm pro lens, the m.zuiko 2.8/12–40 mm pro lens and the m.zuiko 2.8/40–150 mm pro lens. I still have to improve on these very wide city shots. As often, I made black & white and col­our ver­sions.

The full series can be found here.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Photographers Christmas Dream

Sunday, December 16th, 2018

Com­ing back from a short trip to Nürn­berg, I also had time for a stay on the Nürn­ber­ger Christ­kindles­markt … and it’s world-fam­ous Schasch­lik booth (pic­tures later, when the film has been pro­cessed). Found there an amaz­ing old photo shop with some nice Pho­to­graph­ers Christ­mas Dream. As it was Sunday, the shop was closed … unfor­tu­nately.

The real reas­on for the short trip was some­thing more ser­i­ous, which lays back more than 70 years … dated in the days of World War II. But more on that later when the film has been pro­cessed. I used a Min­olta Dyn­ax 7 with an AF Macro 2.8/50mm lens attached and a Kodak Ultramax 400 film loaded.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Sevilla, when it’s still cold at home — Part 7

Friday, December 14th, 2018

The Plaza de Espana in the Parque de Maria Luisa was built for the Ibero-Amer­ic­an Expos­i­tion of 1929. The build­ings at Plaza de Espana form a huge half-circle rep­res­ent­ing the four ancient king­doms of Spain.

Parque de Maria Luisa offers some nice views includ­ing numer­ous build­ings, built for the Ibero-Amer­ic­an Expos­i­tion.

Monte Gurugú.

Pabellón Real.

Museo Arqueoló­gi­co de Sevilla.

Park view.

The Real Fab­rica de Taba­cos de Sevilla — now part of the Uni­ver­sity of Sevilla — was the ori­gin­al place where the story of Car­men, the Opera from Biz­et, played.

It is told, that in those days the tobacco build­ing, where only young women were work­ing, was safe-guarded by troops to pre­vent young men from enter­ing the build­ing. As the tem­per­at­ure was quite hot inside, the young ladies were only slightly clothed.

Today, the old fab­rica is part of the Uni­ver­sity of Seville.

This part closes the Sevilla post.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Sevilla, when it’s still cold at home — Part 6

Sunday, December 2nd, 2018

Walk­ing through town, where it’s always worth mak­ing a pic­ture … or two. Same in the old World’s Fair area, where the EXPO ’92 was hos­ted and where so many nice spots were left behind.

Con­trary to Lis­bon (EXPO ’98) in Seville no one seems to be proud of this area and what has been built. No one recom­men­ded a bike tour through this area, while it’s only a short ride off the town centre .. they did not even men­tion it worth a vis­it when we asked.

The Puente del Ala­millo is anoth­er high­light of archi­tec­ture in Seville with a mighty pylon.

On our way back to town centre … always keep an eye open.

And now .. the Cated­ral de Sevilla with its Gir­alda tower was built between 1434 and 1506. It based on an ancient Almo­had mosque from 1172 to 1248 and — after recon­quista — a Chris­ti­an­ized mosque between 1248 and 1434.  The 105m Gir­alda bell tower was the former min­aret of the Almo­had mosque.

The Tomb of Chris­toph­er Colum­bus.

The Gir­alda Tower.

View from Gir­alda tower — in the back­ground Iglesia Cole­gi­al del Sal­vador, Puente del Ala­millo and Met­ro­pol Para­sol.

Next to come … Plaza de Espagna

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Sevilla, when it’s still cold at home — Part 5

Sunday, November 11th, 2018

Real Alcaz­ar is one of the mir­acles of Span­ish his­tory, built for king Peter of Castile between 1350 and 1369.  It is the old­est roy­al palace in Europe still in use.

After this long tour, we had some time to stroll around in town.

As so many times before, I made two albums, one in col­our and one in black and white, as both show their spe­cial mood.

Next to come … Cated­ral de Sevilla.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

Sevilla, when it’s still cold at home — Part 4

Wednesday, October 17th, 2018

Bull­fight­ing is still a cul­tur­al high­light in this part of spain — wheth­er you like it or not. The Placa de Tor­os is worth vis­it­ing nev­er­the­less — even out­side the sea­son.

A won­der­ful span­ish mar­ket can be found at the Mer­cado de Tri­ana — its one of the old­est mar­kets in town opened 1823, built on the rem­nants of the Castel San Jorge dated back to 1481 and its Arab ori­gin from 1171.

Next to come … Real Alcaz­ar.

As so many times before, I made two albums, one in col­our and one in black and white, as both show their spe­cial mood.
In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.