Posts Tagged ‘analog’

A Contax 167MT and a Carl Zeiss Distagon 2.8/28mm in Porto

Wednesday, October 30th, 2019

This time in Porto … some­thing went ter­ribly wrong. Get­ting back my films from the lab, they wrote that some images were under­ex­posed. See­ing the res­ults, around 1/3rd of the frames were near black and I’m still guess­ing what happened.

The Con­tax 167MT with its Carl Zeiss Dis­tagon 2.8/28mm worked quite well with the Kodak Ultramax 400 film and I was really impressed how flaw­less this combo handles, shoot­ing in aper­ture pri­or­ity mode.

On one situ­ation I noticed, that the aper­ture set­ting on the lens and the aper­ture dis­play in the view­find­er did not match. The view­find­er dis­play showed f/4 when f/11 was set on the lens, which res­ults in an under­ex­posed frame, as the cam­era reduces the shut­ter speed to get a prop­er expos­ure.

I found out that the lens was not locked prop­erly. Seems, as when tak­ing the cam­era out of the bag, I acci­dent­ally hit the lens release but­ton and unlocked the lens. This was a mess, as I did not know how long the lens was unlocked, as I usu­ally do not check the aper­ture in the view­find­er, know­ing what aper­ture I set on the lens.

Well, this might have explained the issue on one film, but I have 1/3 of the frames ruined on both films I made. I’ll shoot anoth­er roll to see if this beha­viour returns when care­fully watch­ing the lens is locked prop­erly. In addi­tion, some of the ‘well exposed’ frames show massive amount of grain, as if the lab has tried to ‘res­cue’ them.

As I made some digit­al frames besides the ana­log ones, the loss is not dis­astrous, but it annoys me that it happened at all, not noti­cing the aper­ture dis­crep­ancy. I was … too care­less this time. Or maybe I was simply too dis­trac­ted by the beauty of that city.

Let’s see what comes up from this story when finally post­ing the images made — both ana­log and digit­al.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Irelands Southwest and West (Part 5)

Tuesday, October 22nd, 2019

Part 5 of our 2017 trip through Irleands South­w­est and West. Com­ing to the final (ana­log) part of our tour which leads us from Con­nemara back to Dub­lin.

Leav­ing won­der­ful Con­nemara and the County Gal­way …

… and enter­ing Dub­lin — what a con­trast.

Hav­ing some nice food …

… and walk­ing over the Ha’­Penny Bridge.

Next post will cov­er the digit­al part of the jour­ney.
Earli­er parts of this series can be found here.

Part 1
Part 2
Part 3
Part 4

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

Irelands Southwest and West (Part 4)

Sunday, September 29th, 2019

Part 4 of our 2017 trip through Irleands South­w­est and West.

Leav­ing The Bur­ren and Doolin (and the Cliffs of Moher, but that’s anoth­er … more digit­al … story) behind us, we headed north to touch Gal­way, the beau­ti­ful old town lay­ing on our way to Con­nemara County.

Gal­way … with some typ­ic­al Irish pub :)

From Gal­way it was a short, but nev­er­the­less beau­ti­ful ride to Clif­den — our final stay in the west.

Dog’s Bay and Gur­teen Bay — two nice beaches lay­ing vis-á-vis on a spit of land.

The tiny vil­lage of Round­stone, with its ceram­ics and craft shops.

Up to the Skyroad (giv­ing its unique driv­ing exper­i­ence), driv­ing by cloud covered hills and …

… hav­ing a fant­ast­ic look from the Wild Atlantic View­point.

… still more ana­log work to come.

Earli­er parts of this series can be found here.

Part 1
Part 2
Part 3

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

Irelands Southwest and West (Part 3)

Thursday, September 19th, 2019

Part 3 of our 2017 trip through Irleands South­w­est and West.

From the Dingle Pen­in­sula we headed north to Doolin where we found loads of beau­ti­ful Cafes and Pubs.

We found some old stuff … around Doolin.

We found some very old stuff in the Bur­ren — a carst region …

… also host­ing some very old neo­lith­ic dol­men.

The Bur­ren — worth hik­ing.

… more to come.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

Porst Pocketpak EL

Thursday, August 22nd, 2019

It was dec­ades ago in my life when I bought this cam­era in my con­stant strive for becom­ing a bet­ter pho­to­graph­er — LOL. It was some­where between 1970 and 1975 when I thought, using my then cam­era, an Agfa Optima 200 Sensor, was not good enough for me and I strongly needed an “upgrade” to some­thing more light­weight and so.

Money was an issue and so I ended up with this then hyped cam­era type, a type 110 film cart­ridge pock­et cam­era from Photo Porst — the Porst Pock­et­pak EL.

If you want to know more about this then world’s largest photo equip­ment deal­er Photo Porst AG, you can find loads of inform­a­tion here — it’s a Ger­man web­site, so maybe using Google Trans­lat­or is an option for you.

I have to admit here, that I nev­er got a single really sharp image out of this cam­era. I claimed the cam­era for this, but who knows.

I do not find the ori­gin­al manu­al, so there is no way to name the tech­nic­al specs. Top­ping this, nowhere on the web you can find a single piece of inform­a­tion about it and so I put here on my tiny blog what I know about and what I guess. Maybe some lucky read­ers know a little bit more about this cam­era.

The type 110 cart­ridge gives a 13 x 17 mm neg­at­ive size, which is roughly a quarter the size of a 35mm film with its 24 x 36 mm. This is com­par­able to today’s Micro Four Thirds sensor size of 13.5 x 18 mm and its ima­ging area of 13 x 17.3 mm.

Let’s make a jour­ney around the body …

From the left, first comes the small win­dow hous­ing the expos­ure meter, then comes the lens behind a pro­tect­ive glass and to the right sits the view­find­er. The lens might be a 4/21mm fix focus or zone focus type — if it’s sim­il­ar to its sib­lings from Photo Porst — with 1.2 to 1.5m min­im­um focus­sing dis­tance. Unfor­tu­nately there is noth­ing writ­ten around the lens, so it’s a guess only. The view­find­er con­tains a red LED, warn­ing on low shut­ter speeds and a green plastic indic­at­or, show­ing a cor­rect expos­ure.

Three focus steps, dis­tant, mid and close range can be set via a switch on the top of the body. Right to this focus switch there is a flash mount, where a dis­tance hold­er can be inser­ted to avoid the fam­ous red eyes. Stand­ard 4x flash­cubes can be used. Fur­ther to the right you find the shut­ter release but­ton with a screw-in cable release sock­et to it’s left.

From the left you find the view­find­er, the film check/cartridge win­dow and above, the cam­era back release switch.

Again from the left we have the view­find­er, the two cart­ridge hold­er recesses, in between the shut­ter and lens unit and finally the bat­tery com­part­ment.

On the left there is the tri­pod sock­et and on the right is the shut­ter cock and film advance slider.

The bat­tery (yes, I turned it upside down … or … no, wait, I glued it onto the ceil­ing :) is some kind of spe­cial type — which is no longer avail­able and so makes the cam­era a dead piece of plastic. How­ever, when hit­ting the release but­ton, the shut­ter fires, so there seems to be some kind of fixed manu­al shut­ter speed.

The shut­ter is elec­tron­ic­ally con­trolled and might be be cap­able of some­thing between 1/30 to 1/500 of a second — if it’s sim­il­ar to its sib­lings from Photo Porst.

So far for the moment. You know more about this little cam­era or have an old manu­al you wanna share?

In case you’d like to con­trib­ute some inform­a­tion about this little piece of plastic from the 70s, do not hes­it­ate to send a com­ment. It’s highly appre­ci­ated.

Maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Irelands Southwest and West (Part 2)

Sunday, August 18th, 2019

Part 2 of our 2017 trip through Irleands South­w­est and West.

Arriv­ing in Dub­lin, we imme­di­ately got our car and headed south­east. Dub­lin itself was planed as the Great Final of the tour.
Some people (greet­ings to Jim) are recom­mend­ing to hire a car as small as pos­sible, as driv­ing in Ire­land can be chal­len­ging and Irleands roads are some­times quite nar­row. Indeed they are right. Nev­er­the­less it was great fun driv­ing a not-so-small car on one lane coun­try roads ;)

What I can recom­mend is def­in­itely an auto­mat­ic trans­mis­sion mod­el, as driv­ing on the wrong side is some­thing you get used to, but it takes a little bit. Not sure how people here can drive their whole life long on the wrong side of the road.

Our first stop down to the west was … Kilkenny. Yes, they’re fam­ous for their castle and … their beer. At least I thought when in the even­ing order­ing a loc­al Kilkenny at the pub. The friendly wait­ress told me, that since many years the Kilkenny was brewed at Guin­ness in Dub­lin. Again what learned.

As it was a one night stop in Kilkenny, we had to hurry to see all the things worth vis­it­ing here. Old Smith­wicks Brew­ery, Domin­ic­an Black Abbey, the Cathed­ral Church of St Canice or Matt The Millers Bar & Res­taur­ant, just to men­tion some.

On the road

On our way fur­ther down, we went over Jer­point Abbey and the Rock of Cashel to Kil­lar­ney, finally reach­ing our B&B in Beaufort on the Kerry Pen­in­sula.

Kerry

The next days we stayed here, explor­ing the south­w­est. Hik­ing in the Kil­lar­ney Nation­al Park vis­it­ing the Muck­ross House on Loch Leane, the Gap of Dun­loe (cool driv­ing exper­i­ence), Lady’s View, the Ring of Kerry and Valen­tia Island, from where since 1866 the first per­man­ent com­mu­nic­a­tion link between Europe and the North Amer­ica was oper­ated.

From Beaufort, we headed over to Inch Beach (cool Irish beach), from where we explored the Dingle Pen­in­sula and we met Fungie — the fam­ous dol­phin.

… more to come.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

 

A Nikon F‑301 travelling Ireland

Saturday, June 22nd, 2019

Over­ture

Mid 2017 we made a two week trip through Ire­land. Motiv­ated by Jim Grey from Down the Road who made sev­er­al won­der­ful posts about his jour­ney in 2016, I tried to get hands on an old ana­log Nikon F‑301 cam­era with a 35mm lens attached. I packed five rolls of Agfa Vista 400 to feed the Nikon and packed … guess what .… my Work­horse as an every­day backup togeth­er with its fant­ast­ic M.Zuiko 12–40mm PRO lens.

 

 

You can find the Agfa Vista 400 col­our ver­sion and a black & white ver­sion of all images here … I will add them in my cur­rent Ire­land series over the next days and weeks.

After this, in a second series, the digit­al res­ults will fol­low.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Olympus OM-2n and H.Zuiko Auto‑W 2.8/24mm on Crete

Wednesday, June 12th, 2019

As told in one of my pre­vi­ous posts, I was on a trip to Crete and this time an old Olym­pus OM-2n came with me. I decided to pick my Olym­pus H.Zuiko Auto‑W 2.8/24mm lens and loaded an Agfa Vista 200 film. The film is on its way to the lab and I’m keen get­ting it back soon. Until then, here is a first impres­sion … show­ing the hard life as a hiker.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Olympus OM-2n with H.Zuiko Auto‑W 2.8/24mm

Friday, May 24th, 2019

Just leav­ing for a trip to Crete. Hav­ing the good old Olym­pus OM-2n with its H.Zuiko Auto‑W 2.8/24mm lens with me. The OM-2n has recently been for a CLA at the OM-Labor in Frank­furt, Ger­many. The 24mm lens has a nice repu­ta­tion and I’m keen to see how this combo fits. The cam­era will be loaded with Agfa Vista 200 col­or film.

Besides that, I’m car­ry­ing with me my work­horse — the Olym­pus OM‑D E‑M1 with its mar­vel­lous M.Zuiko 2.8/12–40mm lens and — as a light­weight addi­tion, the Ricoh GR II.

When I’m back from the trip I’ll have a short report in my tiny blog and put some images on my flickr page.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.

Hiking the Haselstein and the Center of Central Europe

Tuesday, May 14th, 2019

On this hike I car­ried with me three cam­er­as — maybe I should stay at one per hike only, as weight is always an issue.

The film one was a Con­tax G2 with its Carl Zeiss Biogon 2.8/28mm attached. I loaded a Kodak Ultramax 400. After the second image the cam­era stopped work­ing due to an empty bat­tery. As I had no spare on hand, all the rest was made digit­al only.

The first digit­al one was a Sony A7R2 with a M39 Voigtländer Col­or-Heli­ar 2.5/75mm attached where I loaded again … a pretty cool sensor ;)

The second digit­al one was the beloved Ricoh GR II.

The full album can be seen here on my flickr pages. I made a col­or ver­sion and a black & white ver­sion again.

Images above were made with the Con­tax G2, Carl Zeiss Biogon 2.8/28mm on Kodak Ultramax 400.

Images above were made with the Sony A7R2, Voigtländer Col­or-Heli­ar 2.5/75mm.

Images above were made with the Ricoh GR II.

In case you’d like to com­ment, it’s appre­ci­ated … and maybe, you want to vis­it my web­site or my flickr page too.

So long … and thanks for all the fish.